Catherine Weir
Catherine Weir
- Lecturer
- Job Title
- Lecturer
- School or Academic Area Supervised for
- UNSPECIFIED
Biography
Dr Catherine M. Weir is a visual artist and researcher, working primarily with photography, data, and code. Her practice-based research is centred on an exploration of the relationships between her chosen media; and the implications of their increasing convergence for contemporary digital photographic practice and theory. Central to this inquiry is an understanding that today’s digital photographs – particularly those viewed on screen – are no longer straightforward remediations of chemical-based photography, but the output of active computational processes: networked, programmable hybrids of images and data.
Catherine's PhD research – which was supported by a full studentship from the Arts and Humanities Research Council – examined how the semiotic concept of indexicality developed by Charles Sanders Peirce can be understood in the context of an expanded digital photographic practice; with a focus on artworks combining digital photographs with real-time and recorded data in custom software programs.
Her research has been presented
Latest Additions
- Zioga, Polina and Weir, Catherine (2024) 'This Place Has Its Own Air' – SPARK Festival 2024: 'Healthy Futures'. AIRSIDE, Hong Kong, 18 – 20 October 2024
- Weir, Catherine (2022) Light Leaks.
- Weir, Catherine M. (2018) Programming Light: The Processing and performance of digital photographs. In: PaintingDigitalPhotography: Synthesis and Difference in the Age of Media Equivalence. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 42-63. ISBN 978-1-5275-1110-1
- Biró, Eszter, Butler, Jacqueline, Calvo, Mirian, Bento Coelho, Inês, Keehan, Allyson, MacLellan, Fiona Jane, Weir, Catherine M., Worsley, Dawn, Makki Zakari, Hanan, Zioga, Polina and Checchia, Viviana (2016) Whereabouts you are. Reid Gallery, Glasgow School of Art, UK, 15 Oct – 10 Nov 2016

